STRIGOI
is
an
incredible
and
original
new
vampire
flavoured
film
with
its
roots
firmly
set
in
Romanian
mythology
(as
well
as
political
subtexts).
We
asked
director
Faye
Jackson
a
few
questions
about
the
making
of
this
fantastic
movie.
We
love
the
originality
of
Strigoi
-
how
did
the
story
evolve?
I've
been
visiting
Romania
regularly
over
the
past
10
years
(my
husband
Rey
is
Romanian,
he's
also
the
producer).
During
this
time
I've
come
across
so
many
people,
stories,
ideas
etc.
I
wanted
to
get
down
on
film
and
STRIGOI
is
the
culmination
of
a
lot
of
these
things.
Romania
is
changing
really
fast
and
there
are
all
these
amazing
contrasts
between
the
old
and
the
new,
and
I
became
fascinated
by
the
scars
the
Communist
regime
has
left
on
the
country.
Plus,
I
just
really
like
the
villages
and
the
people
I've
met
there.
The
original
concept
for
the
film
was
"the
Romanian
Revolution
set
in
a
small
village
except
this
time
the
Ceaucescus
come
back
as
vampires",
but
the
characters
quickly
took
over
and
made
it
something
more
human
and
mysterious.
Was
there
much
research
involved
and
was
any
of
it
based
on
actual
myths
or
folklore?
I
did
some
research,
but
I
didn't
take
it
too
seriously.
There
are
so
many
different
versions
of
the
Strigoi
myth
so
I
knew
I
had
a
lot
of
leeway.
I
wanted
to
create
something
that
could
fit
in
with
traditional
stories
about
strigoi,
but
that
could
also
be
mistaken
for
medical
symptoms
by
the
lead
character.
I
also
became
really
interested
in
the
traditions
and
rituals
surrounding
death
and
burial.
A
lot
of
them
seemed
to
presuppose
the
existence
of
strigoi,
even
if
the
people
who
still
carry
on
with
these
traditions
don't
really
believe
in
strigoi
anymore.
For
example,
it's
still
common
in
the
villages
to
dig
up
a
person's
bones
after
7
years
and
re-bury
them.
There
are
a
few
reasons
for
this,
but
it
also
ties
in
with
the
idea
that
you
have
to
check
a
person's
body
after
they're
buried
to
make
sure
they're
really
at
rest.
What
was
your
main
aim
in
making
this
movie?
When
I
came
across
the
strigoi
myth,
I
just
fell
for
it.
I
think
the
first
strigoi
story
I
read
had
a
family
returning
from
burying
their
uncle
only
to
find
him
sitting
in
their
best
chair
eating
their
dinner.
I
just
thought
it
was
a
really
funny,
striking
image
and
one
that
said
a
lot
about
family
and
history.
I
wanted
to
tell
a
story
that
people
hadn't
heard,
and
create
a
world
on
film
that
expressed
all
of
the
character
of
the
one
I'd
discovered.
Were
the
dark
comedic
undertones
part
of
the
idea
from
the
get-go?
That's
just
my
sense
of
humour.
It
attaches
itself
to
everything
I
write.
But,
luckily,
my
sense
of
humour
is
kind
of
Romanian.
Was
the
location
your
first
choice,
and
what
were
the
advantages
and
drawbacks?
The
location
was
my
first
choice,
it's
this
village
in
the
North
East
of
the
country
called
Podoleni.
I
love
the
church
(it's
unique,
there's
not
another
like
it)
and
it
has
this
beautiful
atmospheric
train
crossing.
We
used
locals
for
extras
and
they
were
fantastic.
Sometimes
the
sound
was
a
problem
(geese,
chickens,
roosters,
dogs,
cows
etc.
etc.)
and
it
was
hard
to
persuade
a
crew
to
leave
Bucharest
for
a
month.
But
it
was
so
much
more
fun
than
the
studio
portion
of
the
shoot.
When
would
be
the
best
time
of
year
to
visit
this
region?
Any
time
really.
Romania
has
four
proper
seasons
-
beautiful
hot
summers
and
deep
snow
in
winter.
My
personal
favourite
is
autumn
(which
is
when
we
shot)
because
the
colours
are
amazing
and
there's
the
most
happening
on
the
roads
because
all
the
fruit
and
crops
are
ready
for
harvest.
Was
it
difficult
funding
Strigoi?
Yes.
But
we're
incredibly
lucky
we
did
it
when
we
did.
It
was
a
close
run
thing
and
we
thought
about
postponing
a
year,
but
if
we
had
it
wouldn't
have
happened.
The
majority
of
the
players
look
so
authentic
-
how
many
of
the
performers
are
non-actors?
Very
few!
Maybe
a
couple
of
the
most
minor
parts
or
non-speaking
roles
were
played
by
extras.
For
the
main
and
supporting
roles,
we
spent
a
long
times
casting
a
combination
of
Film,
TV
and
Theatre
actors.
They
all
did
an
incredible
job,
and
inhabited
their
roles
to
such
a
degree
that
most
of
the
people
in
the
village
assumed
they
were
locals.
In
what
format
did
you
shoot,
and
what
processes
did
you
use
to
give
the
movie
its
look?
We
did
it
almost
completely
old
school
35mm.
Apart
from
a
couple
of
title
shots
and
one
problem
scene,
everything
was
shot,
processed
and
colour
timed
analogue
(almost
nobody
does
that
any
more).
We
used
the
autumn
setting
as
a
starting
point
for
the
look
of
the
film.
We
also
shot
a
number
of
scenes
at
magic
hour
(dawn
and
dusk
having
a
special
significance
for
strigoi).
As
the
mystery
deepens
more
and
more
of
the
film
is
set
at
night,
and
as
the
story
progresses,
those
nights
get
darker
and
darker.
How
has
the
movie
been
received?
We've
only
had
one
public
screening
so
far
at
Toronto
After
Dark
and
that
was
fantastic.
The
audience
was
really
great.
It
was
brilliant
to
see
it
with
an
audience
and
see
people
really
getting
it.
And
we
won
Gold
in
their
Best
Independent
Film
competition,
so
it
couldn't
have
gone
any
better.
(STRIGOI
will
make
its
African
debut
at
the
5th
annual
South
African
HORRORFEST
Film
Festival,
29
October
-
5
November
2009
-
www.horrorfest.info).
Did
you
have
a
dilemma
to
make
Strigoi
more
gory,
or
less
so?
I
never
really
thought
about
it
in
that
way.
The
traditional
way
to
kill
a
strigoi
is
to
cut
out
their
heart
and
burn
it
(and
sometimes
this
still
happens!)
http://www.guardian.co.uk/world/2005/jun/19/theobserver
,
so
that
was
always
going
to
be
a
part
of
the
story
for
me.
And
I
wanted
to
approach
it
in
the
same
matter
of
fact
way
I
was
approaching
the
rest
of
the
story,
so
that
dictated
the
level
of
gore.
What
advice
do
you
have
for
new
movie
makers?
Just
get
on
with
it
really.
There
are
so
many
ways
to
start
now,
I
started
at
a
Video
Production
group
at
University,
but
people
can
probably
make
more
sophisticated
movies
on
their
phones
now.
You
have
to
be
almost
inhumanly
persistent
and
resistant
to
rejection
(cockroach-like
really)
but
when
it's
good
it's
the
best
job
ever.
And
make
the
effort
to
find
decent
actors,
it
makes
a
huge
difference.
www.strigoimovie.com
www.horrorfest.info
-
Paul
Blom
|